Schafer, R. Murray. The soundscape: our sonic environment and the tuning of the world. Rochester, Vt.: Destiny Books ;, 19931994. Print.
The characteristic types of sound commonly heard in a given period or location. For example, the late nineteenth-century American soundscape was largely limited to unamplified, live sounds, while the soundscape of the mid twenties included radio, electrically recorded disks, and public address, as well as live music, theater, and an increasing number of unmuffled motors.Soundscape has been growing steadily as a research field since its interdisciplinary concepts were first introduced about 50 years ago in music theory and acoustic ecology, and it currently affects a broad spectrum of disciplines ranging from social sciences to urban planning and noise control engineering. In spite of its strong research appeal, it is not clear what the actual impact and.With reference to music by Vaughan Williams and Webern, this essay investigates the ways in which music plays a role in forming landscape, understood from a contemporary geographical perspective.
Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Emily Thompson. Soundscape of Modernity and Aural Histories provide a long overdue examination of the cultural meaning of noise and sound and their archival documentation. What people hear, how they listen, and how sounds are retained for future research have changed historically, and both.
Essays From Ethnomusicology to Echo-Muse-Ecology: Reading R. Murray Schafer in the Papua New Guinea Rainforest By Steven Feld. What role can an anthropological voice have in this large mix we're calling acoustic ecology and soundscape studies?
The concept of the soundscape was first introduced by R. Murray Schafer in 1977, and was described as including all of the sound from a particular environment that reaches the human ear.
Sound in Continual Composition: Soundscapes, Indeterminacy and Ambient and Generative Music. In his 1973 pamphlet The Music of The Environment, Canadian composer and theorist R.Murray Schafer states; 'In various parts of the world important research is being undertaken in many areas of sonic studies.These researches are related; each is dealing with aspects of the world soundscape, the vast.
The World Soundscape Project (WSP) was established as an educational and research group by R. Murray Schafer at Simon Fraser University during the late 1960s and early 1970s. It grew out of Schafer's initial attempt to draw attention to the sonic environment through a course in noise pollution, as well as from his personal distaste for the.
Sound art is an artistic discipline in which sound is utilised as a primary medium.Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. Sound art can be considered as being an element of many areas such as acoustics, psychoacoustics, electronics, noise music, audio media, found or environmental sound, soundscapes, explorations of the.
The Soundscape Meter (Farina, 2012) has been used to process the sound data applying the ACI algorithm (Pieretti et al., 2011). Examples of the output of the bird soundscape reported for March 2011 (d), and May 2011 (e) show that the spatial dynamics of bird acoustic cues respond to the environmental complexity at a very small grain resolution.
Rock - Rock - Authenticity and commercialism: Madonna can be described as a rock star (and not just a disco performer or teen idol) because she articulated rock culture’s defining paradox: the belief that this music—produced, promoted, and sold by extremely successful and sophisticated multinational corporations—is nonetheless somehow noncommercial. It is noncommercial not in its.
Music Technology Glossary of Terms. Looking for a complete A-Z of music technology terms? You’ve found it! All the acronyms and techy definitions are covered in this complete jargon buster.
GCSE Drama Glossary Use the words below to help you to give you ideas for practical work and to give you extra marks in the exam! Styles of Drama Naturalistic: The performance is as close to real life as possible. Non-naturalistic: The performance is more theatrical and stylised and.
There are many other aspects of copyright protected music use in theatre that aren’t covered in this article. The important point that must be understood is that the music is copyright and we absolutely must obtain permission to use those songs in our shows. To put on a production without acquiring the rights is an infringement of copyright.
Space music appears in many film soundtracks and is commonly played in planetariums. According to Hill space music is an eclectic music produced almost exclusively by independent labels and it occupies a small niche in the marketplace, supported and enjoyed by a relatively small audience of loyal enthusiastic listeners.
The purpose of this research is to investigate the following: differentiation between private and public soundscapes and portability of music device and its impacts in the society. The paper will present the definition of such terms: technologically mediated behavior; forms of interpersonal conduct; low fidelity and public soundscape.
While I am at it I will also append here a useful definition of soundscape that Drever quotes in his essay. It is from the introduction to Emily Thompson's book The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900- 1933 (2002).