German Studies across the Disciplines Alter, Nora M., and Lutz Koepnick, eds. Sound Matters: Essays on the Acoustics of German Culture. New York: Berghahn, 2004. 257.
The essays of Sound Matters investigate the ways in which texts, artists, and performers in all kinds of media have utilized sonic materials in order to enforce or complicate dominant notions of Read more.Nora M. Alter is professor of film and media studies in the School of Theater, Film and Media Arts at Temple University. She is author of Vietnam Protest Theatre: The Television War on Stage (1996), Projecting History: German Nonfiction Cinema, 1967-2000 (2002), and Chris Marker (2006), and co-editor (with Lutz Koepnick) of Sound Matters: Essays on the Acoustics of Modern German Culture (2004).In Harun Farocki: Forms of Intelligence, Nora M. Alter will provide a comprehensive overview of the late artist and filmmaker Harun Farocki’s experiments with celluloid, video technologies, and installation from the late 1960s through the 1980s.This book will provide not only overdue recognition of Farocki’s artistic production, but will also be an important case study of the shifting.
Additionally she is author of Vietnam Protest Theatre: The Television War on Stage (1996), Projecting History: Non-Fiction German Film (2002), Chris Marker (2006), and co-editor with L. Koepnick of Sound Matters: Essays on the Acoustics of Modern German Culture (2004). Alter has published widely on German and European Studies, Film and Media.
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Alter’s teaching and research focus on comparative media studies. She is author of Vietnam Protest Theatre: The Television War on Stage (1996), Projecting History: Non-Fiction German Film (2002), Chris Marker (2006) and Sound Matters:Essays on the Acoustics of Modern German Culture (2004). She has published over sixty essays on a broad range.
Extract. Sean Nye 10 Listening in the Waiting Room: Feuchtwanger on the Acoustics of Exile abstract This essay foregrounds music and sound, crucial yet seldom discussed topics in Feuchtwanger studies, as it analyzes the narrative techniques in the author’s Waiting Room trilogy. Along with the trilogy’s aim “to document for posterity,” the essay argues that we can see the emergence of.
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Theatre - Theatre - Stage design: The most important feature of the Roman theatre as distinct from the Greek theatre was the raised stage. As every seat had to have a view of the stage, the area occupied by the seating (cavea) was limited to a semicircle. As in Greek theatre, the scene building behind the stage, the scaenae frons, was used both as the back scene and as the actors’ dressing.
Nora M. Alter is professor of Film and Media Arts at Temple University. She is the author of Vietnam Protest Theatre: The Television War on Stage (1996), Projecting History: Non-Fiction German Film (2002), Chris Marker (2006), and co-editor with Lutz Koepnick of Sound Matters: Essays on the Acoustics of Modern German Culture (2004). She is completing a book on the international essay film. Jan.
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The essays in Sound in the Age of Mechanical Reproduction uncover the varying dimensions of sound in twentieth-century history. Together they connect a host of disparate concerns, from issues of gender and technology to contests over intellectual property and government regulation.
She co-edited Sound Matters: Essays on the Acoustics of Modern German Culture (2004) with Lutz Koepnick. Alter also published essays on German and European Studies, Film and Media Studies, Cultural and Visual Studies, and Contemporary Art.
Mick Jagger! 1960s Rock, the Myth of Progress, and the Burden of National Identity in West Germany Sound Matters: Essays on the Acoustics of Modern German Culture Jan 2004 183-96.
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The study of film and film theory offers an ideal opportunity to gain a comprehensive understanding of German society and culture. It is a medium which appears to the viewer to be “real”, and yet it is perhaps the most mediated and ideologically constructed form of cultural production.. Lutz P. eds., 2004. Sound matters: essays on the.